Thursday, December 26, 2024

Modern Times and The Great Dictator

 This Blog Given By Dilip Barad sir . Movie Screening Activity of 'Modern Time' and 'The Great Dictator'.

Modern Times :

I recently watched Charlie Chaplin’s “Modern Times,” a 1936 comedy about the hardships that come with living in an industrialized world. The movie is entertaining, hilarious, and often considered one of Chaplin’s more critically acclaimed pieces.

Charlie Chaplin is an English actor who, in the early 1900s, rose to fame and popularity in the silent film industry. He became most recognizable through his iconic Tramp character, a social outcast with a kind heart. In “Modern Times,” the Tramp finds himself living amidst poor financial conditions heightened by massive unemployment.

The Tramp character is endearing. Although he makes countless mistakes—like accidentally sending a boat off to sea or getting swallowed by a factory machine—he adds a layer of social commentary.

Despite his good nature, the Tramp always seems to find himself in bad situations. For example, he gets arrested several times throughout this movie, once because he is suspected of being a communist, which is not the case. By having the Tramp be so genuine and likable, it suggests that he is not the problem. Society is.


"Modern Time" has been acclaimed for its innovative film making, physical comedy , and social commentary . it's considered one of Chaplin's greatest achievements and one of the greatest films of all time. 

Modern Times Synopsis 


Charlie is a factory worker in this hectic age - a minor cog in the grinding wheels of industry. His job -mechanically tightening bolts on a moving belt. The monotony of the work drives him beserk. Taken to hospital he soon recovers and is discharged, cautioned to avoid excitement.

Caught in a street riot, he is mistaken for the leader and thrown into a patrol wagon.


Charlie unconsciously thwarts an attempted jailbreak. As a reward he is given a cell with all the comforts of home. But just as he is ready to settle down to a life of ease and contentment in jail, he is pardoned. He then gets a job in a shipyard, but is fired for doing the wrong things at the wrong times. He resolves to return to the comfort and security of jail.
He meets the girl - a gamine of the waterfront. She and her orphaned sisters are about to be taken into custody by the juvenile welfare officers, but she escapes. When she is about to be arrested for stealing food, Charlie attempts to take the blame, without success. He wanders into a cafeteria, orders everything in sight, then informs the manager that he has no money to pay.

On the way to jail he meets the girl again. Together they escape and from then on they are inseparable companions.

Charlie gets a job as night watchman in a department store. His first night on duty is hectic. Burglars invade the store, and Charlie is involved once again with the police, and once more shunted to jail.

Released, he meets the girl who has found herself a job as a cabaret dancer. She gets Charlie a job in the same restaurant as a singing waiter. He proves a huge success. Happiness seems close now, but the juvenile welfare officers have finally tracked the girl down.
They attempt to take her into custody, but Charlie foils them and escapes with the girl. Together they trudge down the lonely road, ready to face whatever the future may bring.



The Great Dictator:


In the autumn of 1938, when the Munich Agreement was being signed in Europe, Charles Chapin was putting the finishing touches to the first draft of a script written in the greatest secrecy. Rumour had it that the creator of the Tramp had decided to make his first talking film. Moreover, it was said that he would be playing the part of a character inspired by Adolf Hitler.



Finally, after the long and painstaking process of revising and then directing, Chaplin presented The Great Dictator in New York on October 15th 1940. The historical circumstances in which he had found himself during those two years were quite extraordinary. His native country, England, had declared war at the beginning of September 1939, but the United States, where he had been living as a permanent resident – but British citizen – since 1913, had resolved to keep out of the conflict that was to bathe the Old Continent in blood.

This struggle in favour of a democratic idea of peace is in itself reason enough for the historian’s interest. Chaplin, however, added to the credits of The Great Dictator the following warning; “Any resemblance between Hynkel the Dictator and the Jewish barber is purely coincidental.” This was a playful way of hinting that what was really at stake was not so much Chaplin’s double role but the tension between him and his twin, the Tramp. Up to now the Little Tramp had conveyed an experience of the world through the language of pantomime, and because he embodied no national identity and spoke no mother tongue, he had touched the hearts of spectators everywhere. His immense success rested on popular acclaim but also on the recognition of intellectuals, especially in France in the 1920s, where many artists and authors praised his genius.

Famous food scene chaplin and jack

Chaplin’s real history was not just the one he was facing up to, but also the one he was recounting by combining the characters of the Tramp and the Jewish barber in the image of the “pariah”.
Reginald Gardiner and Chaplin in The Great Dictator.


My Refferance:

https://amp.theguardian.com/film/1936/jul/14/derekmalcolmscenturyoffilm




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