Introduction :
As part of the ResearchGate Flipped Learning Activity, I engaged with digital research tools such as NotebookLM and AI-based content generators to enhance my understanding of the novel. This activity helped me integrate ICT tools into literary research and academic presentation.
Snakes, Smartphones, and Stories: Why People Leave Home in Gun Island :
Introduction: Looking Beyond Simple Explanations :
When we hear about migration, we usually think of war or poverty. These are real and serious reasons, but they do not tell the whole story. In Gun Island, Amitav Ghosh challenges these simplified ideas. He shows that migration happens for many complex and surprising reasons. Through different characters, the novel explores political violence, climate disaster, personal ambition, shame, trauma, and even psychological disturbance. Ghosh reminds us that migration is never just one story—it is always deeply human and complicated.
1. A World That Talks About Empathy but Practices Exclusion
Before explaining why people leave, Ghosh shows what kind of world they enter. He highlights a contradiction in modern society. As individuals, we speak about compassion and humanity. But as nations and political groups, we often act selfishly.
Countries focus on protecting their own economy, land, and citizens. They create strict borders and laws. This creates a hostile environment for migrants. Even if someone leaves home for survival, they arrive in a world that often refuses to accept them. This gap between moral values and political actions shapes the migrant experience in the novel.
2. Violence Within One’s Own Community
One clear reason for migration in Gun Island is communal violence. Kabir’s story shows this harsh reality. A family dispute over land turns dangerous when his uncle, who has political connections, attacks his father. When Kabir tries to defend him, the situation becomes violent.
Kabir realizes that staying in Bangladesh means certain death. He does not leave by choice—he is forced to escape. Through Kabir, Ghosh shows how corruption, political power, and local conflict can make one’s own homeland unsafe.
3. The Attraction of the Digital Dream
Migration is not always caused by danger or poverty. Palash’s story presents a different reason—aspiration. He belongs to a wealthy family, has a good education, and a stable job. Yet, he dreams of living in Finland.
His dream is influenced by technology and global branding. Nokia phones, social media, and global culture create an image of Finland as perfect and modern. For Palash and his friends, Finland represents everything Dhaka is not.
However, the dream becomes disappointing. When things do not work out, Palash feels ashamed to return home. He fears being seen as a failure. His migration is driven not by survival, but by fantasy and later by pride and shame. Ghosh shows how modern technology shapes new forms of desire and displacement.
4. Before Smartphones, There Were Novels
The desire to escape is not new. Dinanath reflects that in his youth, novels created dreams of a better life abroad. Books allowed him to imagine America as a place where his talents would be recognized.
Reading became his way of escaping what he felt was the “narrowness” of his world. Just as Palash’s generation is influenced by smartphones, Dinanath’s generation was influenced by literature. Both show that migration can begin in imagination. Sometimes people leave because they believe their true potential cannot grow where they are.
5. Climate Change as a Force of Expulsion
One of the most powerful reasons for migration in the novel is climate change. In the Sundarbans, rising sea levels and cyclones destroy homes and lives. Lubna Khala’s story is deeply tragic.
During a cyclone, her family climbs a tree to survive the flood. But the tree is filled with snakes. Some family members are bitten and die. This traumatic experience forces them to leave their homeland.
These migrants are called climate refugees. They lose not only their homes but also their livelihoods. Their skills, such as fishing, are connected to their local environment. When they move, those skills often become useless. Ghosh shows that climate change silently pushes people into dangerous migration journeys.
6. Trauma and the Unseen Push
Tipu’s story adds another unusual reason for migration. After a cobra bite, he begins to suffer from seizures and frightening visions. He feels haunted. Migration becomes his attempt to escape not just poverty, but also his trauma.
He hopes that changing location will end his suffering. His journey represents the invisible wounds that push people to leave. Ghosh suggests that sometimes people migrate to escape memories, fear, and psychological pain.
Conclusion: Migration Is Never Simple
Gun Island challenges the idea that migration is only about war or poverty. Ghosh presents many motivations: violence, ambition, digital influence, intellectual dreams, climate disaster, shame, and trauma.
He also compares modern illegal migration with the historical slave trade, reminding us that these journeys are dangerous and life-threatening. Through multiple characters, Ghosh shows that every migrant carries a unique story.
The novel asks us to look beyond political debates and statistics. Instead of seeing migrants as numbers, we must recognize their personal histories, dreams, and struggles. Migration, as Ghosh reveals, is not a single narrative—it is a complex human experience shaped by survival, imagination, and hope.
Mindmap :
“The Human Crisis of Displacement: Themes from Amitav Ghosh’s Gun Island” :
The infographic titled “The Human Crisis of Displacement: Themes from Amitav Ghosh’s Gun Island” visually presents the complex reasons behind migration in the novel. It first highlights the physical drivers of displacement, such as climate change, political conflict, and human trafficking. Natural disasters like cyclones and rising sea levels in the Sundarbans are shown as forces that destroy homes and livelihoods, turning familiar spaces into “sinking sites.” The image also represents communal violence and political unrest, which force individuals to flee for safety. Additionally, it depicts the dangerous networks of trafficking, where migrants rely on middlemen to cross borders through risky and illegal routes.
The infographic then shifts to the psychology of migration, emphasizing that migration is not always caused by poverty alone. It shows how smartphones and digital media create a “Western fantasy,” encouraging young people like Palash to dream of Europe as a land of opportunity. It also contrasts economic need with intellectual escape, suggesting that some individuals migrate to overcome the perceived “narrowness” of their homeland. The symbolic comparison between the sinking Sundarbans and Venice further highlights the global nature of environmental crisis and displacement.
Finally, the bottom section traces the journeys of key characters, connecting personal stories to larger global themes. Lubna Khala’s migration reflects climate trauma, Kabir and Bilal’s journey represents political violence, and Palash’s path shows aspirational migration shaped by global media influence. Together, these elements demonstrate that displacement in Gun Island is multi-layered and deeply human, shaped by environmental, political, psychological, and economic factors rather than a single cause.
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