Aphra Ben's The Rover

★★ Why is Hellena so intent on marrying Willmore, and what might this say about her character?

Hellena does not seem the type to desire marriage; she is drawn to inconstancy, and resents being instructed or ordered around by men. She is, as Blunt calls her, “a rover”—just like Willmore. It is clear that she values her freedom and independence, and it thus comes somewhat as a surprise when she insists that Willmore marry her. The argument might be made that, although Hellena values her freedom and desires to break free from the customs that tie her to her father and brother, she necessitates nonetheless some degree of stability. She is able to distance herself from the control of her dad and brother and in the process gain some breathing room; marriage to another man allows her to regain some stability

✳️Aphra Behn, the First Englishwoman to Earn a Living With Her Writing, Is Finally Getting Her Due

   Aphra Behn's The Amorous Prince, or, The Curious Husband was staged this month for the first time in 350 years. 

Aphra Behn, the 17th-century author, is best known as the first Englishwoman to make a living from her writing—but despite her barrier-breaking accomplishments, she is not a household name.

In recent years, Behn has finally started getting the recognition she deserves. The latest effort to champion her legacy is a year-long series of events organized by Canterbury Christ Church University and Loughborough University, which kicked off in September

So far, programming has included lectures, public readings, a poetry workshop and wine tastings. This week, the Canterbury Players performed one of Behn’s most controversial plays, The Amorous Prince, or, The Curious Husband, which had not been staged since 1671. A two-month-long exhibition on her story is also on view at the Beaney, a Canterbury museum, through August.

Behn’s legacy has endured thanks in part to Virginia Woolf, who lauded the 17th-century writer in her seminal 1929 essay “A Room of One’s Own.” Woolf presented Behn as a rare model for young women who dream of one day becoming professional writers.

“For now that Aphra Behn had done it, girls could go to their parents and say, ‘You need not give me an allowance; I can make money by my pen,’” writes Woolf. “Of course the answer for many years to come was, ‘Yes, by living the life of Aphra Behn! Death would be better!’ And the door was slammed faster than ever.” One particularly quotable line comes a few paragraphs later: “All women together ought to let flowers fall upon the tomb of Aphra Behn … for it was she who earned them the right to speak their minds.”

Behn was a prolific writer and experimented with various forms. Her body of work includes the well-known comedy The Rover, which is still staged today, and novels like Oroonoko, the “true history” of an African prince’s enslavement at the hands of white Christians.

   The Royal Shakespeare Company staged Aphra Behn's The Rover in 2016.

The details of her early life are hazy. According to some accounts, she was born near Canterbury in 1640. At some point in her young adulthood, she appears to have resided in Suriname in South America, then a British colony. This period was formative for Behn, and the experience seems to have influenced her later works.

But by 1664, she was back in England, where she married a merchant. Soon after, her husband’s death—or their separation—left Behn in an uncertain financial state. She was hired by Charles II to serve as a spy in the Netherlands, a role that was far from lucrative. When the money ran out, she was briefly placed in debtor’s prison.

This unlikely chain of events solidified Behn’s determination to earn a living with her writing, “having vowed never to depend on anyone else for money again,” per the Poetry Foundation. She worked as a professional writer for the rest of her life.

Her first play, The Forc’d Marriage, debuted in 1670. The work was a success: As the Independent’s Athena Stavrou writes, it “sparked popular demand for her follow-up, The Amorous Prince,” which was staged less than a year later.

The new play, however, was considered “too radical, too shocking” for its era, as Natalie Cox, director of the recent Canterbury Players production, tells BBC News’ Zac Sherratt.

“Some of the things it made fun of, such as masculinity, was not au fait with what should have been on stage at that point,” she adds. “It just fell into obscurity.”

✳️Which female character best represents the playwright, Aphra Behn? Consider the characteristics and beliefs of each female character, and make an argument that relates these distinctive attributes to what you know about Behn.Aphra Behn was a woman ahead of her time; as the first published female author, she broke the mold not only in her professional accomplishments, but also in her daily life. She was a well-traveled woman, spending time in Surinam with her family, and in Antwerp as a spy for Charles II. Behn is also purported to have had an on-and-off-again relationship with an English expatriate and spy. Her path is one characterized by inconstancy, and it was one that could only have been undertaken by a brave and confident individual. In The Rover, it is Hellena who best demonstrates confidence and bravery in her endeavors to alter her destiny. Like Aphra, Helena is a confident woman and persuasive leader, not afraid to draw attention to the hypocrisy of religion, and drawn strongly to the freedom of libertinism. She also shares with Aphra a desire to explore and live dangerously.